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Natalie
Leftwich: Model Dancer
First she was the face
of A
Midsummer Night's Dream, now with another
poster appearance, this time for Dangerous
Liaisons, Natalie Leftwich is getting
used to being in front of the camera. Here she talks about
what it's like to be a model for the day!
Talk us through the day from
your point of view. How long does it take to get ready for
a shoot? How long does a shoot take? How much time do you
actually spend ‘posing’?
For the Midsummer
shoot it probably took about half an hour to get ready. Gavin
(our wigs master at the time) did both my wig and my make
up so that was easy enough. The actual shoot took nearly 3
hours! We did what seemed like a million different poses.
The Dangerous
Liaisons shoot was much quicker. It was
done on a work day and I think we were given 35-40 minutes
to have Katie (ince, Wigs Manager) put our wigs on and to
do our own make up. I did a few poses on my own and then Chris
and I continued for only about 45 minutes.

Above: Natalie with Christopher Hinton-Lewis
on the poster for our new production, Dangerous
Liaisons.
During the shoot how much input
do you have into what you’re doing?
As much as I like...well, you're told
how to pose or sometimes you're asked to improvise as well.
What was really nice on the Dangerous
Liaisons shoot was that after the picture
was taken it was shown on Steve Hanson's lap top computer,
so you had a chance to see the final image ahead of time and
make any changes needed.
Who makes the decisions during
a shoot?
It depends on who's there. Anna (Izza,
Head of Media and PR) and Katherine (Scott, Head of Marketing)
were both very helpful during the Midsummer
and Dangerous
Liaisons shoots. David basically made
most of the decisions for the Dangerous
Liaisons shoot, he came up with the poses
and gave us advice. You know... point your foot, tilt your
head this way or that, look sexy!!! Steve Hanson, the photographer
on the shoot, also had a lot of say in the final decisions.
How is being in
front of a camera different to being onstage?
It's a completely different experience,
the two are almost entirely unrelated. When you're on stage
you're part of a large group of people who are putting the
show together and you really get a sense of that. Also, all
the emotions flow fluidly on stage where as when you're in
front of a camera it can be quite difficult to bring whatever
emotion is needed to the surface and then sustain it...keep
it fresh and real.

Above: Natalie as she appears on the
final poster for A
Midsummer Night's Dream.
Is it fun being in a shoot
or is it hard work?
It's a lot of fun - I really have enjoyed
it! I suppose the only hard part is having to hold a pose
for an extended length of time, your muscles start to cramp!
Are you comfortable
posing for the camera? You said in a recent interview with
Northern Exposure that you'd had a little experience with
modelling, did this help?
Yes, I feel very comfortable. I find
it exciting to do something different. Actually, I bet most
dancers feel fairly comfortable in front of the camera. We're
so used to putting ourselves in the public eye. As far as
the modelling, I never actually pursued it further than having
head and full body shots taken to use in a portfolio, but
I suppose having those done helped in making me comfortable
working with a photographer.
Have you been recognised from
the posters?!
No...thank goodness!
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