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Jonathan Byrne Ollivier and Desire Samaai in La Traviata

La Traviata Reviews

Hardly a dry eye in the theatre. The final duet in La Traviata is utterly, unashamedly romantic and makes for a memorable climax to an utterly compelling production. Northern Ballet Theatre's interpretation of Veronica Paeper's ballet is outstanding throughout.

The Stage

The company is in lively form … the dancers pounce on the challenges of Veronica Paeper's choreography. This Traviata is a sleek, fast-moving production, and it shows off the company's improved dance standards

The Independent

It is classically beautiful, romantically heart-stopping, technically perfect and simply exceptional.

Yorkshire Evening Post

The passionate intensity of Jonathan Ollivier and Desiré Samaai as the doomed lovers would stir even the hardest of heart… They are a powerful partnership, his dark good looks and strength complementing her delicacy and lightness. Better take a hankie.

The Guardian

Ollivier's performance is heartfelt, while the petite Samaai dances exquisitely through three acts that must be emotionally and physically exhausting.

Metro

Desiré Samaai… is a performer clearly destined for great things, and has a unique individuality which makes her truly compelling.

Teletext

Paeper knows her stuff, balancing lively and well constructed ensemble dances with fluid pas de deux… Samaai was absolutely convincing as the dying Marguerite … be advised: you may need your handkerchief

The Times

…it is skilfully crafted. Paeper focuses attention unfailingly on the central figures, while giving the corps plenty to do

The Observer

Desiré Samaai and Jonathan Ollivier (real-life husband and wife) were the first-cast lovers, both dancing well… The company looks lively … and Peter Cazalet's designs are plushy and elegant.

The Sunday Times

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Supported by:

Supported by: Arts Council England Supported by: Leeds City Council Supported by: West Yorkshire Grants

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